TARQUIN BILGEN

A late nineteenth century Italian tric trac table, in Goncalo Alves and Satinwood, with detachable checkerboard top, baize to the reverse, with inset backgammon board to the interior, all supported on four tapering legs, terminating in brass sabots.

A fine nineteenth century rectangular Venetian mirror with cushioned borders and decorative cresting. The mirror frame consists of layered, bevelled pieces of glass decorated at each corner with curving acanthus leaves and small glass flowers. The cresting decorated with an etched urn with sprays of flowers to the centre with bevelled, scrolling glass borders.

A fine Murano glass three arm chandelier of small scale, in pale celadon, with gourd form body, flared two tier drip trays, and all terminating in four glass droplets.

An early twentieth century amber glass dish light or plafonnier, suspended by three ropes terminating in amber glass teardrops. Attributed to Vittorio Zecchin.

A fine Murano glass three arm chandelier of small scale, in Verona green, with triple gourd form central body and flared drip trays to the arms, the top adorned with glass droplets, and all terminating in four glass droplets to the base.

A set of six deep buttoned black leather side dining chairs the leather finely patinated and close nailed, with sprung seats, all supported on four mahogany tapering legs. The frames twentieth century.

A very fine mid nineteenth century black lacquered Meiji wooden trunk, with gilded foliate arabesques throughout, large roundels and engraved corner mounts, with finely chased decoration.

A fine mid twentieth century coffee table, with russet craquelure painted frame and gilt banding, the top decorated with gold leaf, all supported on found Cobham legs. Attributed to Mallett and Sons of Bond Street, London.

A fine early nineteenth century cushioned octagonal Venetian mirror, with layered glass frame consisting of a bevelled glass central panel with a narrow outer frame decorated with long scallop cuts and an inner frame decorated with small scallop cuts. The frame pieces held in place with simplified glass leaves and flowers, and secured with diamond-cut glass paterae. 

A late 19th century red faux tortoiseshell mirror, the rectangular frame with ebonised ripple moulding.

An early twentieth century brown lacquer panel decorated with palaces and naturalistic scenes within an imagined landscape, now mounted as a coffee table with Cobham leg base, with glass top.

A fine mid eighteenth century painted Italian commode, the top with tromp l’oeil simulating marble, with two drawers, the corners decorated with trailing floral husks, cock beading to the edges, all supported on tapering fluted feet.

A mid nineteenth century Venetian pier glass in the Queen Anne style, with arched pediment decorated with a central urn filled with flowers and flanked with a smaller urn to each side. The rectangular frame below with an etched geometric design to the border.

England, circa 1860

A pair of mid nineteenth century painted sgabello hall chairs, with circular seats, shaped front legs and waisted backs.

A pair of early twentieth century bisque fired pottery lamps with three entwined dolphins, supported on a circular base.

An early twentieth century blue Murano glass plafonnier, with undulating concertinaed rim, and spiral decoration through the glass.

An early nineteenth century occasional table, with painted Armorial to the top, within concentric decorated borders, supported on an ebonised stem and tripod base, with gilt bands and gilt ball feet.

An unusual mid twentieth century circular coffee table with ebonised rope twist base, with tassel feet and central knot to the stretcher, the base supporting a circular pink marble top.

A pair of early twentieth century breccia marble urn lamps mounted on giltwood bases.

A pair of punched metal baluster lamps, with contrasting turned brass necks and bases.

A pair of twentieth century French oak wall lights in the form of anchors, with contrasting brass banding, each sconce with one candle arm.

A pair of silver plated bronze floor lamps with reeded stems, each on three monopodia with paw feet interspersed with anthemia.

A pair of mid nineteenth century mahogany hall chairs, with shaped seats and backs, painted shield motif, and turned front  legs.

An unusual Arts and Crafts silver plated six arm chandelier, the main body of spherical form with pierced foliate designs.

An early twentieth century shield form mirror with etched crosshatching to the segmented glass borders, designed by Pietro Chiesa for Fontana Arte.

England, circa 1820

A fine early nineteenth century Regency two-seater ebonised sofa with caned sides and back, the top rail and frieze decorated with gilt-painted Greek Key borders, the seat with squab cushions recently upholstered in green cotton with float button, all supported on tapering legs with brass caps and castors.

Height 92.00cm

Height of seat 43.00cm

Width 128.00cm

Depth 72.00cm